Andromaca at Palladio’s Teatro Olimpico

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I looked forward with great excitement to the recent production of Euripide’s Andromaca at the Teatro Olimpico in Vicenza. Not necessarily for the performance itself, which is a bit of a grim story especially for a non-Italian-speaking visitor, but for the manner in which the magnificent fixed stage set was to be utilised. The classical street scenes could surely be interpreted as the mythical Greek world.

However, a temporary, naturalistic and organic installation had been placed in front of the permanent set. It did have the aura of a barren and hot land, but, oddly, the drama made no reference to Palladio’s masterpiece.

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Contempt

Via The Footnotes of Mad Men, glimpses of the Casa Malaparte in Le Mepris

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Notes from New York City #2

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4. The hardest thing about cars is getting rid of them.
Multi-storey car park, NY style, approx. $20 per hour.

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5. Hi-Line
Disused elevated railway turned into urban park. Tribeca NY.

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6. Did it really happen?
Dutchman buys Manhattan for $26 and some beads.
Statue, gift of Netherlands to NY, closer to Staten Island Ferry terminus.

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7. Last horse in NY, Hell’s Kitchen, 2009.

Posted in CiA, Crompton, New York City, Travel | 1 Comment

Venice Workshop: Week 1

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The 10 CiA students (with staff members Sally Stone and Eamonn Canniffe) participating in the international workshop at IUAV in Venice have had a busy first week. A briefing day was followed by two days of fieldtrips to significant archaeological sites and the project sites at Caldonazzo, Riva del Garda and Concordia Sagitarria. International design teams were formed with the other students from Barcelona, Catania and Venice and the projects will be presented in exhibition to a prestigious jury next week. The workshop’s homepage can be visited at THIS LINK…

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This year in Venice

The B.Arch. studio presentations are being held on 22 September 2009. If you would like a preview/reminder of the CiA studio proposal go to THIS LINK

Sally Stone and Eamonn Canniffe are currently participating in a joint architecture/archaeology workshop with schools of architecture from IUAV, Barcelona and Palermo. If you are interested in their architectural and gastronomic adventures, you can follow their Twitter feeds:

Sally Stone Eamonn Canniffe

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Posted in CiA, Dominic Roberts, Italy, Student Projects, Studio Programme Year 5, Travel, Venice | 1 Comment

Notes from New York City #1

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1.
Architect’s home life.
Italian chromed steel electric fan by Enzio Pirali 1953. Donated to MOMA by Philip Johnson 1956.

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2.
New Cooper Union Campus Third Ave E7th St by Thomas Mayne of Morphosis opening this week, September 2009.

Mayne’s design, conceived with the belief that space can inspire learning, embodies Cooper Union’s intention to create an academic building that will have the same impact that the Foundation Building had on higher education in 1859 and that our Chrysler Building had on New York architecture in the 1930s George Campbell, President

We don’t have to take this seriously but it does make a great skate board ramp.

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3.
Skyscrapers horizontal and vertical
Williamsburg bridge & random NY building.

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Blueprint for Vicenza

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The August issue of ‘Blueprint’ magazine features 50 of the Best UK Design Graduates, two of them, Sophie Corkhill and Matthew Duggan, being from the ‘Continuity in Architecture: The City, the Building, the Room’ group. The projects were intended to complement the Basilica Palladiana in Vicenza in celebration of the quincentenary of Palladio’s birth. Sophie’s and Matthew’s work was selected by Nick Johnson who praised it in the following terms.

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SOPHIE CORKHILL
A bold, brave plan wrapping inventively around the Palladio building. A ‘stealth’ building – as much ‘this year’ as the barcode facade was last, and the sloping roofscape before it – seems to work and be an appropriate and articulate response. A believable and convincing plan with a bold yet sensitive rendering.

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MATTHEW DUGGAN
In a world of architecture obsessed by itself and the veneer of stylistic appeal, this student started from a fundamentally different point of view, concentrating on the ‘feel’ of the space rather than the look. The light into, and the view out of, the space is fundamental. An antidote to so many students intent on stylistic rather than human responses to creating space.

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Abroad

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Improvisation at the Bus Station

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Preston Bus Station is one of those modernist structures that condemned the pedestrian to the bridge or subway giving the surrounding ground plane or ‘apron’ to vehicles i.e. buses. The people of Preston are characterised by their disdain for motorised traffic and inevitably a number of people have been killed in the past forty years crossing the apron as buses reversed out of one of the eighty (yes eighty!) bus stands. The building has been neglected and unsecured throughout it’s existence and the bus drivers have resorted to improvisation in dealing with various antisocial problems. It is a routine procedure to position a double-decker bus to break the fall of a determined jumper (or attention seeker, see picture below).

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Suddenly a revolution. For some unknown reason (perhaps prompted by threats under safety or DDA legislation?) the council have installed substantial, simple and useful temporary crossing points allowing pedestrians an easy route from the bus to the markets. Buses stop at zebra crossings, families amble across in the summer sunshine.

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The alterations bode well for the continued survival of the building, due for demolition to make way for the always delayed Tithebarn town centre redevelopment (our Liverpool One). Listing has been refused once by EH but I believe the C20 Society are trying again. The temporary interventions, introducing discipline and civility to the environs of the building provide a simple vision of the ground plane reclaimed and the possibility of a rethinking of the building based on it’s relationship to public space.

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Preston Bus Station under construction 

Analogue & Digital 

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Images and Memory

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Immagini e memoria: Rome in the photographs of Father Peter Paul Mackey 1890-01

Sir John Soane’s Museum is hosting an exhibition from the photographic archive of the British School at Rome of the work of Fr. Peter Paul Mackey O.P., which presents a record of thecity undergoing rapid modernisation at the end of the nineteenth century. The expansion of the city and its new infrastructure horrified romantic artists in pursuit of a very late Grand Tour, but yielded vast amounts of new material for increasingly professionalised archaeologists. The tension between these two worlds, the simultaneous need to record and the desire to compose, are evident in many of the photographs, the ancient monuments seen against modern factories and before the maturing of present-day urban planting.

In his excellent catalogue essay Dr. Robert Coates-Stephens (Cary Fellow at the BSR) places the Dominican scholar Mackey’s images in their historical context of ‘Roma Capitale’, and the social context of the expatriate community of clerics, archaeologists and aesthetes, a society in which the word amateur still had its original meaning. The atmospherically staged exhibition continues at the Soane Museum until 12 September.

At present CiA staffer Eamonn Canniffe is researching a similar complementary collection of material, that of Captain J. Douglas Kennedy, held at the John Rylands Library in Manchester. The collection presents a haphazard but enthusiastic account of the same dilettante milieu.

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SANAA: Serpentine Pavilion

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It is hard to put in words the effect of this extraordinary intervention by Kazuyo Sejima and Ryue Nishizawa at The Serpentine Gallery in London (until 18 October). A sinuous silhouette characterises the slender reflective roof suspended on tentative mirrored columns above a simple screeded floor. Those are the bare facts.

But the impact of these simple gestures are magical. The rhyming of columns and trees is a commonplace of organic design but is here given literal depth with the doubling of the column height through reflection. The depth of the visual field collapses through the folding in on themselves of covered and uncovered spaces. The implicit gravity of light from the sky is brought into doubt, as it is revealed to be a reflection from the ground. And just momentarily one experiences a figure ground reversal, when a solid leaden summer sky contrasts with the light and space seen on highly polished surface.

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For a different view of another work by SANAA, their NewMuseum of Contemporary Art in New York see this film by recent MSA graduates.

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Stone of Venice

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CiA staffer Sally Stone has successfully obtained Erasmus Intensive Programme funding for a student project studying the relationship between architecture and archaeology in north-east Italy. The experimental workshop, run in partnership with IUAV (Venice) and ETSAB (Barcelona), will focus upon the protection of key archaeological sites in the territories of the Veneto and Trentino.

The project will kick-off the CiA BArch programme for the autumn term at Manchester School of Architecture and will result in proposals for shelters, buildings and other interventions that relate directly to the sites of archaeological interest. Staff and students will be on site in Italy for two weeks in late September.

Sally Stone coordinated the Manchester School of Architecture application collaborating with Margherita Vanore from IUAV and Pilar Cos from ETSAB for the Erasmus Intensive Programme funding. Sally and Pilar have previously worked together on the Interventions Project, an international project for students from Manchester and Barcelona.

Illustration from ‘Venice for Modern Man’ published by Italia Nostra

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