Francis Roberts Day

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The Twentieth Century Society have designated 16 October 2010 ‘Francis Roberts Day’. There will be a coach tour of buildings by Francis Roberts in Lancaster, Preston and Blackpool. Francis will be there to illuminate and explain.

Apparently there has been a problem with the booking system at the Twentieth Century Society which is advertising the tour as ‘full’. If you have had problems booking but you would like to take part please contact Aidan Turner-Bishop on 01772 824154 or aidantb@phonecoop.coop for a place.

Francis Roberts Architects

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Venetian Pile Driver

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On the Ponte dei Miracoli

On the Ponte dei Miracoli, Venice. Light; fragments of view; bridge as public space; the view and the viewer.

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An Architecture of Alphabetic Archaeology

The 2010 iteration of the Erasmus Intensive Workshop Archaeology’s Places and Contemporary Uses at IUAV is again in the process of working on a variety of difficult sites in the Veneto (Altino, Aquiliea, Borgoricco, Concordia Sagittaria). The task is to cover the extensive remains with protective covers and to announce their presence in the landscape. After the first week of lectures, the collaborative projects between students from Venice, Barcelona, Catania and Manchester are taking shape under the critical scrutiny of the tutorial team. As the clock runs down towards the jury at 14.00 hours on Friday 24 September the work rate is increasing. Watch this space for further reports.

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Holl at the Glasgow School of Art

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The Glasgow School of Art flickr site now includes Steven Holl’s proposals and sketches for his new scheme opposite the Glasgow School of Art.

Link: GSA Flickr

Urban Realm website. Scheme description/press release.

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CiA Studio Projects, 2010-2011

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We are looking at four sites for sixth year (Bachelor of Architecture) studio projects:

Option 1: Dubrovnik: We have identified and visited two excellent sites within the old city, the first is an extensive ruin area, the second is an abandoned palace for which we have a full set of survey drawings and full access. Visit to be held in October.

Option 2: The Veneto region, probably Padua, at one of the Architecture/Archaeology Workshop sites to be visited this month.

Option 3: The Westminster Cathedral Competition site. A public space and new building project in London.

Option 4: Antwerp: The fifth year will be looking at this great port city in Belgium (“A patchwork of ancient and modern architecture”) so it is possible for some Year 6 students to join them. Sally Stone will be lecturing and teaching in Antwerp at the end of September. Sites and contacts will be developed from this visit with a view to arranging a student visit in October.

Picture top: Site by the city wall, Dubrovnik. Project site.

Picture below: Detail of the Isusovic Palace, Dubrovnik. Project site.

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That Goldfinger Touch

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The 2010 RIBA Goldfinger Scholarship has been awarded to Luca Csepely-Knorr to undertake an M.Phil at the MSA. Luca will be studying the work of Bela Rerrich (1881-1932), independent Hungary’s first town planner who had studied under the Windermere garden designer and town planner Thomas Mawson (1861-1933) prior to the Great War. Rerrich’s principal achievement was the cathedral square, Dom Ter, in Szeged which is pictured. Luca will be supervised by Eamonn Canniffe and Sally Stone.

The estate of the late architect Ernö Goldfinger (1902-1987) endowed scholarships in 1999. The scholarships are administered through the RIBA to support young Hungarian architects through a period of postgraduate study (in the fields of Architecture, Art or associated disciplines) or work experience within a UK academic institution or architectural practice.

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The Plečnik Pool

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After a rather slow period the Flickr Plečnik group is seeing plenty of submissions. The picture is by klausness and shows Zacherl-Haus in Vienna (1903-1905).

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Portuguese Picnic

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The inaugural meeting of the European Architectural History Network was held at the beautiful Portuguese city of Guimaraes between 17 and 20 June and fulfilled the organisation’s mission to create a vibrant new forum for the study of the complexity and variety of European architecture.

The conference was hosted by Jorge Correia of the University of Minho and his team of ‘sweet, cute and smiling’ student assistants. A diversity of nations (and continents) was represented among the speakers although they were united, as Antoine Picon of Harvard Graduate School of Design remarked, by their shared difficulties with the English Language. Highlights included Paolo Varela Gomes of the University of Coimbra discussing the reception of Portuguese architecture and its relationship to different forms of imperialism, New York University Professor Marvin Trachtenberg’s magisterial reading of the Palazzo Vecchio in Florence as an expression of the city’s military confidence at the beginning of the fourteenth century, and a session on “Architectures of the Suburb” jointly chaired by Andrew Ballantyne (Newcastle University) and Elizabeth McKellar (Open University) which ranged from the Palladian Veneto to contemporary Mumbai.

However, the star of the show in every imaginable way was Denise Scott Brown. Despite her advanced years she held the conference spellbound with her subverting of revisionist modernist hagiography and her insistence that the praising of the delights of autonomous architecture should be balanced with a profound respect for social needs and contexts.

Other provocative images evoked included that of the isolated Irish monastic site of Clonmacnoise as a new Jerusalem (Jenifer Ni Ghradaigh, University College Cork), an analysis of the urban space of renaissance Mantua (Janet White, University of Nevada – Las Vegas) the documenting of pioneering Czech panel costruction (Kimberley Elman Zarecor, Iowa State University) and a study of the Swedish social experiment in mid-twentieth century Vallingby (Lucy Creagh, Columbia University).

CiA staffer Eamonn Canniffe contributed a paper to the well attended session “Architecture in Nineteenth Century Photographs” chaired by Micheline Nilsen (Indiana University South Bend) which covered amateur and professional photographers and academic and tourist audiences for the then new medium. His abiding memory of the conference, though, was of Denise Scott Brown fulfilling her wish to talk to Portuguese students shaded under a tree in the garden of the Vila Flor Cultural Centre.

The next meeting will take place in Brussels in 2012. The Call For Session Proposals is here.

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Venice Projects: This Year’s Models & Drawings

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Bachelor of Architecture Year 6 Projects 2009-2010

Following the students’ participation in the workshop Archaeology’s Places & Contemporary Uses the students chose sites in Venice for their major projects.

Slideshow of Year 6 Drawings and Models

Students: Peter Brown, Christopher Brown-Colbert, Sophie Dean, Rachel Galpin, Emma Gander, Nur Liyana Amer Hamzah, Marshal Han, Wan Nurul Huda, William Lau, Kurt Law, Luke McDonald, David Platt, Alex Pritchett, Nor Azua Ruslan, Holly Wells, Katie Wright, Aimi Shairah Zamani

Staff: Sally Stone, John Lee, Dominic Roberts, Laura Sanderson, Eamonn Canniffe

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Bachelor of Architecture Year 5 Projects 2009-2010

The Year 5 students also visited Venice and following various exploratory projects each produced a building on the theme of ‘Buildings for Home and Social Life’ on a restrictive site on the Campo S. Barnaba.

Slideshow of Year 5 Drawings and Models

Students: Germain Acemah, Umayr Azam, Seb Bayley-Loyn, Stephanie Chan, Lydia Cheung Yuk Wah, Jenny Cook, Thomas Cookson, Simon Davies, Seb Drayson, Michael Groves, Nicholas Gurney, Christina Kim, Wang Lang, Louise McKeown, Nicholas Mitchell, Farah Molotoo, Amy Pearce, David Richards, John Roberts, Josh Rollin, William Saville, Rachael Smith, Lawrence Somerville, Matthew Taylor, Jack Whatley

Staff: Sally Stone, John Lee, Dominic Roberts, Laura Sanderson, Gary Colleran, Neil Stevenson

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Degree Show 2010

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The Degree Shows at Manchester Metropolitan University open on Friday 18th June at 5pm.

CiA Studio’s Bachelor of Architecture Projects can be found in Rooms 502 and 503 on the fifth floor of the Chatham Building, Cavendish Street, M15 6BR.

We’re very pleased with the quality and variety of work this year and we hope visitors will be delighted by the physical models, pencil drawings, sketchbooks and good old-fashioned CGI on view. Teaching staff, including Studio Director Sally Stone, will be at the Show tomorrow evening from 6pm if you would like to talk about the work or perhaps discuss joining the Studio in the next academic year.

Sally Stone @sallystone

John Lee @rotoscoper

Dominic Roberts @stoneroberts

Eamonn Canniffe @eamonncanniffe

MMU Degree Show

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The Postmodern Palimpsest: Narrating Contemporary Rome

Eamonn Canniffe has been invited to give a keynote lecture at the above titled conference orgainised by Dominic Holdaway and Filippo Trentin to be held at the University of Warwick in February 2011

The Postmodern Palimpsest: Narrating Contemporary Rome

«What better place to await the end, to see if everything ceases or not?» (Gore Vidal, in Roma)

The city of Rome has always been privileged in its relationship with Western history: constructed over layer upon layer, from Roman to Fascist empires, with corresponding iconic images. More recently, films by Pier Paolo Pasolini and Federico Fellini have contributed to capturing the changes modern Rome underwent, with suffocating traffic passing dazzling locations, long tracks down shadowed streets and lively social gatherings masking potential violence. These images have been qualified as embodying ‘modern’ Rome. The closing shots of Fellini’s Roma (1972) linger on dozens of mopeds fading into the distant black as they abandon the historical centre for an undefined urban sprawl. The sprawl, the latest metamorphosis of Rome, overlaps with historical images of the capital to form a shapeless identity, a fragmentary postmodernity.

This conference, which will take place at the University of Warwick in February 2011, aims to shed light on contemporary imagined geographies of Rome: it will investigate the void at the end of Roman palimpsest, addressing the following questions:

– Where present and past intersect and overlap synchronically, is it still possible to represent ‘reality’, or possible only to capture fragments of it? Can we still perceive the city as a ‘master narrative’, or do we need to challenge the notion of one city? How can the city be perceived in relation to Italian and to European landscapes? How does the image of Rome relate to contemporary global cities? How is this historical shift represented in global cultural products, and how do they redefine our perception?

The interdisciplinary nature of this event is acutely represented by its two keynote speakers: Dr. Eamonn Canniffe (Manchester School of Architecture; author of The Politics of the Piazza: the history and meaning of the Italian square) and Dr. John David Rhodes (Literature and Visual Culture, Sussex; author of Stupendous Miserable City: Pasolini’s Rome).

More details to follow.

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